Classical Edge - Tue 10:30pm & Sun 4am

The Josh Wright is Easy Listening, A Little Humor, and,,  not the typical style for CE.    You Have Just Come Home
 From Work, Your Tired, You Want To Relax, Have A Sip From A Cup Of Calming,
Hold The Hand Of Your Dear, And Enjoy Music In The "Background."   OOOOOHHHHH Playlist for 3 & 8 April 2012

Composer Piece Performers
Restucci, Antonio La Disyuntiva Jose Antonio Escobar, Guitar
Restucci, Antonio Coihues Jose Antonio Escobar, Guitar
Restucci, Antonio Arrayanes Jose Antonio Escobar, Guitar
Vierne, Louis Fantasy Pieces;
Toccata, Dedicase
Peter Richard Conte,Organ
Part, Arvo Te Deum Estonian Philharmonic
Chamber Choir &
Tallinn Chamber Ork
Adams, John Century Rolls, 1st Mvmt Emanuel Ax, Piano;
Cleveland Ork
Adams, John Lollapalooza Halle Ork
Adams, John Shaker Loops; III & IV Loops And Verses Orchestra Of St.Lukes
Jarrett, Keith Book Of Ways, The Feeling Of Strings, No.3,4,5  Keith Jarrett, Clavichord
Debussy, Claude/Trad Clair De Lune/How Great Thou Art Josh Wright, Piano; Ork
Rachmaninoff, Sergei Rhapsody On A Theme Of Paganini, Var 18 Josh Wright, Piano; Ork
Keen, Marta Homeward Bound Josh Wright, Piano

Chris Wartes,  Host  
Classical Edge    (20/21 century contemporary classical)  
KSER   90.7  FM/HD1  Everett, WA  
 Listener Supported Community Radio
Streaming at:  www.kser.orgTuesday Evenings,  10:30PM to 12:30AM, Pacific Daylight Time  (Wednesdays at 0530Z/GMT/UTC)....Repeat Broadcast, Sunday morning 4AM to 6AM PST,  (11AM or 1100GMT)On-demand audio programming for the last two weeks.  http://www.kser.org/radio-replayer
KSER   425-303-9076  on air host
KSER   425-303-9070  office
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    Sarah Marroquin at Gallery Concert 206-726-6088 sarah@sarahmarroquin.net GalleryConcerts.orgSchubert contra Beethoven                                                         Trio ParadiesCecilia Archuleta, violin, Page Smith, violoncelloTamara Friedman, 1795 Viennese fortepiano­

BRIEF CALENDAR LISTING: Imagine being the young Viennese Franz Schubert, trying to find your individual voice as a composer amidst the heaven-storming new music of Ludwig van Beethoven! It would be enough to cause a real identity crisis! The members of the ensemble Trio Paradies will explore the music of these two very different early Romantic masters.  Violinist Cecilia Archuleta and cellist Page Smith will perform with pianist Tamara Friedman and her magnificent 1820s Empire-style Viennese grand piano—the only one in the Pacific Northwest!The concerts will take place on Saturday and Sunday, April 14th (7:30 p.m.) and 15th (3 p.m.) in the intimate and acoustically rich Queen Anne Christian Church, 1316 3rd Avenue West, atop Queen Anne Hill. Pre-Concert “Conversation” starts 45 minutes prior to the concert.For information on the performers and program, and to order tickets, visit www.galleryconcerts.org or call 206-726-6088.

LONGER STORY: Imagine being the young Viennese Franz Schubert, trying to find your individual voice as a composer amidst the heaven-storming new music of Ludwig van Beethoven! It would be enough to cause a real identity crisis! The Seattle ensemble Trio Paradies will contrast the music of these two very different contemporary masters. Violinist Cecilia Archuleta and cellist Page Smith will perform with pianist Tamara Friedman and her magnificent 1820s Empire-style Viennese grand piano—the only one in the Pacific Northwest!
Beethoven could build huge architectural structures in tones that transcended everything before them, but struggled to craft beautiful melodies. Schubert, on the other hand, could not refrain from writing one gorgeous song after another, but worked hard to figure out how to unite his melodic Muse with larger musical forms. Therein lies the creative dissonance of each of these very different early Romantic masters. The distinctive syntheses that they achieved provided inspiration for the artistic creations of all of their 19th-century successors.

Trio Paradies unites the talents of three of Seattle’s favorite musicians. Taking its name from the 18th-century pianist Maria Theresia von Paradies—a friend of Mozart in Vienna and the subject of Dr. Franz Messmer’s experiments to cure her blindness—the ensemble specializes in performing the music of the Viennese Classical and early Romantic composers on historical pianos and period strings.Their program will include Ludwig van Beethoven’s Sonata in G Minor/Major for Violoncello and Piano, Op. 5 No. 2, and Franz Schubert’s Sonatina in D Major for Violin and Piano, Op. posth. 137 No. 1, D. 384, and Trio in B-flat major for violin, cello, and piano, Op. 99, D. 898.

The concerts will take place on Saturday and Sunday, April 14th (7:30 p.m.) and 15th (3 p.m.) in the intimate and acoustically rich Queen Anne Christian Church, 1316 3rd Avenue West, at West Lee Street atop Queen Anne Hill. Pre-Concert “Conversation” starts 45 minutes prior to the concert.Tickets are $28.00 general admission; $24.00 seniors; $12.00 students. Children ages 7–14 may attend for free, each accompanied by a ticket-holding adult. Discounted group tickets are available.For information on the performers and to order tickets, visit www.galleryconcerts.org or call 206-726-6088.

The Empire-Style Fortepiano.  The fortepiano on this concert will be a replica of a six-octave Empire-period grand piano by Nannette Streicher (Vienna, 1820), built by Thomas and Barbara Wolf (Washington, DC, 2000). Its four pedals lift the dampers, moderate the sound by inserting a thin strip of leather between the strings and leather-covered hammers, move the keyboard to the right so that the hammers will strike two strings or one, and activate a bassoon stop in the bass register. Its keys are require only one-fifth of the finger weight needed to depress the keys on a modern Steinway, facilitating light and rapid playing. The clear attack of the leather-covered hammers, the high efficiency of its leather dampers, and the rapid decay of its sound make possible highly articulated playing, without diminishing the instrument’s lyrical capacity..--------------------------------------------------------------------------------------------------------------------------------------------------------Sunday, April 222:00 p.m.ConcertFeaturingPuget Brass Puget Brass was formed in 1999, inspired by the movie, Brassed Off, based on a modern-day English mining town and its brass band.  The band members’ camaraderie combined with the movie’s stirring renditions of songs such as Danny Boy and Floral Dance served as a template for Puget Brass. Puget Brass players volunteer their time and efforts to perform for and educate the general public about the unique sound of traditional British brass band music.  The Band has a varied repertoire, ranging from brass band classics and marches to classical, jazz, and popular music.
 $10.00 suggested donation at the door
 First Presbyterian Church  2936 Rockefeller Ave, Everett

 Puget Brass is a local British brass band that performs traditional and contemporary literature throughout the Pacific Northwest.  From school teachers to Boeing engineers, truck drivers to entrepreneurs, the group brings together 30 brass and percussion musicians to perform this genre of music.